Jordan Troeller

Born in 1985, Dr., M.A. (USA); Studies in History of Art at University of California, Berkeley; Master Studies in History of Art at Harvard University, 2009–2012 Staff critic for Artforum.com, since 2012 PhD in History of Arts at Harvard University.

Research interests: Early Twentieth-Century European and Soviet avant-gardes, Postwar European and American art, History of photography.

  

Research project:

Artificial Ruins. On the Photographic Remains of the Utopian Object

  

Publications:

Troeller, Jordan (2020): Lucia Moholy's Idle Hands. In: October. 172, Spring 2020, pp. 68–108.

Troeller, Jordan (2020): Drawing Lessons: Ruth Asawa's Early Work on Paper, in: Laura Muir (Hg.): The Bauhaus and Harvard. New Haven. Yale University Press 2020, pp. 30–42.

Troeller, Jordan (2019): Breuer’s New Women, in: Otto, Elizabeth/Rössler, Patrick (Hg.): Bauhaus Bodies 2019, pp. 311–333.

Troeller, Jordan (2019): Anni Albers’s ‘Pliable Plane’: Writing on Architecture and the Nomadic Textile, in: Dogramaci, B. (Hg.): Textile Moderne / Textile Modernism. Köln 2019, pp. 217–228.

Troeller, Jordan (in preparation for 2018): Breuer’s New Women. In: Otto, Elizabeth / Rössler, Patrick (eds.): Bauhaus Bodies.

Troeller, Jordan (2016): Catalogue entries for Dackermann, Susan (Hg.): Corita Kent and the Language of Pop, Harvard Art Museums 2016.

Troeller, Jordan (2015): VKHUTEMAS: Martin-Gropius-Bau, Berlin. In: ARTnews, April 2015, p. 92.

Troeller, Jordan (2015): Philippe Parreno: Schinkel Pavillon and Esther Schipper, Berlin. In: ARTnews, Februar 2015.

Troeller, Jordan (2014): Otto Piene at Neue Nationalgalerie and Deutsche Bank Kunsthalle. In: ARTnews, November 2014, pp. 125.

Troeller, Jordan (2014): The Factographic Gesture. In: Scepanski, Kristina (ed.): Liz Magic Laser, public relations, Öffentlichkeitsarbeit, Berlin 2014, pp. 118–125.

Troeller, Jordan (2013): Illuminated Loss: Andy Warhol’s Flash—November 22, 1963. In: Schleif, Nina (ed.): Reading Andy Warhol, München 2013, pp. 202–217.

Troeller, Jordan (2012): Catalogue entries for Moleswort, Helen (ed.): This Will Have Been: Art, Love, and Politics in the 1980s, New Haven 2012.

Troeller, Jordan (2010): Against Abstraction: Zoe Leonard’s Analogue. In: Art Journal 69, No. 4, Winter 2010,  pp. 108–123.

  

Presentations:

“Das Metallische Fest am Bauhaus”. Skulptur und Zeit im 20 und 21. Jahrhundert, Universität der Künste, Berlin, January 2015.

“Kahnweiler’s ‘Das Wesen der Bildhauerei’”. eikones Summer School, Basel, August 2014.

“The Melancholic Gaze of Contemporary Photography”. Wellesley College, MA, November 2011.

“Women and War”. Brooklyn Museum of Art, New York, Mai 2010.

“Against Abstraction: Zoe Leonard’s Analogue”. Independent Study Program Symposium, Whitney Museum of American Art, New York, Mai 2009.